MMM ’12 – May 6

MMM 12 - May 6

Me-Made Item: Skirt (taken off of a failed Vogue 8663 dress pattern)
Originally Reviewed: N/A

Top: INC
Necklace: J Crew
Belt: thrifted

Wearability Review:

I always forget about this skirt in my closet, so this challenge served as a good reminder to dig it out!  This wasn’t even supposed to be a skirt, it was originally slated to be a dress that ended up looking quite unflattering with the waistline sagging down from the weight of the fabric.  The fabric was way too pretty to waste, so I chopped off the skirt of the dress and made a narrow elastic casing at the top.  I also left the hem raw since it doesn’t curl up.

The skirt is a flattering length and I’ve worn it with a top tucked in and a belt (to hide the elastic waist) or with a shirt over the skirt.   Even though I was a little dressy looking in a skirt, I was so comfortable wearing this for what my boyfriend and I did that day – ran out to grab some coffee, walked around the park, watched the Red Sox lose to the Orioles (booo). The only annoying thing with wearing the skirt with a belt is that I have to make sure that the belt doesn’t creep up during the day, exposing the elastic waist.  Other than that, I’m happy that I turned lemons into lemonade with this skirt.

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DIY Spring 2012 Fashion Trends – Color Blocking

color blocking

From left to right: Nanette Lepore, Milly, Marc by Marc Jacobs, Alexander Wang, Carolina Herrera

In case you haven’t noticed, color blocking is everywhere!  I thought that this was a trend that had gone away, but apparently I was wrong when I cracked open my spring fashion magazines (or when I said to one of my coworkers that “color blocking was so last season” and she pointed to the new pairs of color blocked shoes that we got in the store.  Oi.)  This trend was surprisingly easy to find patterns for from every major pattern company.  McCall’s new spring line even included a few patterns that allowed for color blocking variations.

So how do you wear this loud, bold trend and not look like Rainbow Brite?  Keep the maximum number of colors to three.  Based on the runway pictures above, it seems the easiest color combinations are with a white or black added in to the mix.  Or, keep the colors in the family – try mixing different shades of blues together to get a monochromatic but still color blocked look.  Depending on the pattern shapes, this can also be a figure flattering trend utilizing the technique of “trompe l’oeil” – some of the dresses and skirts below have a slenderizing look to them.  Below is a compilation of patterns that you can use at home to try out one of the easiest spring fashion trends.

Dresses:

Skirts:
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On My Cutting Table: Vogue 1250

vogue 1250

It feels like I’m the last sewing blogger to attempt this DKNY dress pattern that came out last spring, but I kept my eye on it until I found the right fabric.  It’s not often that I find a sewing pattern that a) looks good on all body types, b) is super easy to make, and c) is a designer sewing pattern.

I took the pattern out of the envelope this afternoon and marveled at the construction of this dress: it’s essentially only two pieces (minus the neck facing)!  The whole front and lower back skirt are one piece that join in a seam in the back, and the upper back piece is then connected to the shoulders, lower skirt, and sides.  It’s a brilliantly constructed pattern and I can’t wait to cut this one out – looks like it’ll be a quick enough sew for me to wear to work this week with a blazer.

Also – I must be on a black and white kick.  The last dress I made was b&w, I just finished my Simplicity 2369, a black and white top with black pants (pics to come), and now this dress.  Plus, I bought fabric for two button-up tops that are black and white floral prints!  Now I know I need to inject some color into my sewing!

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Vogue 8138 – Three Hour Dress

Vogue 8138

Vogue 8138

Pattern: Vogue 8138 (OOP), View C
Fabric: Matte jersey from Gorgeous Fabrics
Size: 10 graded to a 12, with fit modifications

Cardigan: INC
Lipstick: NARS Manhunt

This dress sprung from an idea one night on a train ride home from work.  I work in retail, and on that particular day I was in my dress department for most of the day – organizing racks, putting out new merchandise, etc.  So while I was sitting on the train, listening to my iPod, I kept thinking about all of the cute spring dresses I was playing with all day and how I really wanted a new dress to wear.  As in, to wear to work.  Tomorrow.  Hmmm….

I ordered a swirly matte jersey from Gorgeous Fabrics a few weeks prior and couldn’t remember what I bought it for – it was probably one of those “ooo I want to put that in my shopping cart!” kind of purchases.  One thing I’ve learned about sewing with knits is that simplicity is key: a busy print like this doesn’t demand a complicated garment design.  It seemed like a simple pull-over dress would be the right choice, and lucky enough, I had a basic pattern in my collection.

For some reason, I felt it necessary to post on Facebook, ” I’m crazy…sewing a dress tonight to wear to work tomorrow. ”  And of course, the follow-up comments were “can’t wait to see!” and “pics plz.”  So it was on!  People knew and there was no turning back!  

Vogue 8138

Honestly, I can’t remember a time I made something this quickly, and I really think I am the world’s slowest stitcher.  The dress is only a two piece tank dress with four seams total: the side seams and shoulder seams.  I think the most time consuming part was fitting the dress since my typical cutting mods (10 graded out to a 12 from waist to hip) ended up fitting too loosely, or at least, not how I wanted this dress to fit.  I pulled it on, pinned it how I wanted it to fit, and marked stitching lines to take it in.  I probably ended up making the top a size 8 and the skirt a size 10 based on how much I took the dress in, but I’m not certain.
So yes, I pulled it off and wore this to work the following day!  It was slightly not in dress code (I’m supposed to wear mostly black), but I think I sneaked by because when asked about what I was wearing, I told everyone that I whipped the dress up the previous evening – that was enough to distract from the fact that really, I was out of dress code.  A little.  Maybe.
This pattern has been hanging out in my stash since 2008 when I first sewed the failed convertible cardigan, a very popular cardigan at the time.  It’s nice to go back and resurrect a pattern that didn’t work the first time, kind of like what I did for my Vogue 1020 pattern.  Sometimes patterns are worth a second shot, especially if it’s a wardrobe pattern with multiple basic garment options.  I can definitely see making this dress again in the summer with a bright floral fabric, or maybe altering the neckline and coming up with an entirely new design.  This dud is now a keeper.

Vogue 8138

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“Figure Flattery:” Helpful or a Hindrance?

Back in May 2010, my sister and now brother-in-law were married.  My mother, being the sewer that she is, set out to make a dress for the occasion.  She found a beautiful floral print that matched my sister’s color theme, picked out a pattern from her stash, and sewed the dress.  She wasn’t quite happy with the first version of it, and when she did some more tweaks here and there to the fit, she still didn’t like it.

I gave my honest feedback to my mom, because who else other than a daughter is going to tell her the truth: the dress didn’t work for her shape.  The defined waist of the dress didn’t look good and emphasized what she didn’t want to draw attention to.  
In the end, she purchased more of the same floral fabric from Joann Fabrics and completely overhauled the dress to something totally different than the original plan. It turned out quite nicely for the big day.

tre228

Me, my sister, and my mom

Looking at the back of the Vogue pattern envelope, we noticed the “Figure Flattery” symbols, which point out which body shapes would work for certain patterns.  In case you’re not familiar with the concept (from Vogue Patterns):

Determine your body shape from the explanations below and use our KEY TO FIGURE FLATTERY diagram to select styles that are particularly flattering to your figure. Choosing styles suited to your body shape can also eliminate the need for most pattern adjustments. Look for the figure symbol that indicates your body shape, then proceed with confidence, knowing that your pattern adjustments will be minimal and your finished garment will be pure figure flattery.

Inverted TriangeTHE INVERTED TRIANGLE: Large bust and/or broad shoulders with narrow hips.
TriangleTHE TRIANGLE: Small bust and/or narrow shoulders with full hips and/or thighs.
RectangleTHE RECTANGLE: Balanced on top and bottom, but boxy, with little or no waist definition.
HourglassTHE HOURGLASS: Equally balanced on top and bottom, with a trim waist.

I’m “The Rectangle,” as is my mom – I pretty much don’t have much in the way of  “curves” or a defined waist.  The pattern my mom was going to originally use?  Not recommended for rectangles.

In this instance, “Figure Flattery” was right about the pattern not being the correct style for a rectangle body shape.  But what about this dress that I recently made from a Vogue pattern?

Vogue 1020


Again, this pattern is not suitable for a rectangle shape according to the envelope.  But it turned out just fine and I received lots of compliments about the fit.

Which makes me think – should we be paying attention to “Figure Flattery” when selecting which patterns to sew?  I learned about how to dress different body shapes in Home Ec class in high school when we took our measurements to determine if we were “apple,” “pear,” “hourglass,” or “straight,” and then correlated our shape to what kinds of garments and necklines look best on us.  “What Not to Wear” and other reality make-over shows on TV educate women on how to dress to look their best.  Does Vogue Patterns have it right when stating that a dress will look good only on an hourglass and triangle body but not a rectangle or inverted triangle body?

When I took a look at the new 2012 patterns for spring, I paid attention to those four little icons on the right hand side of my screen.  Here’s what I should be sewing:

That illustrates a majority of the patterns in the spring 2012 collection that I should be sewing if going solely on the Figure Flattery guidelines (there were a few patterns that I included previously in my review that do work for my shape).  Notice a shape theme here – or lack thereof, really.  Why on earth would I want to dress in a sack?  When my mom and I sat down to look at the pattern book and discovered that these were the type of patterns recommended for us to sew, she sighed and said that “sack dresses” were what she used to sew all the time in the 90’s – it was the style then and everyone was wearing them.  Now, she wouldn’t go near a dress like that because she doesn’t want to feel like a waist-less, shapeless blob.  And those are exactly the options that Vogue is giving us, if we were to follow their recommendations.
I know what kind of shapes generally work for me: a-line skirts, pencil skirts, flared dresses, wide belts, fluffy blouses.  I rarely see these types of patterns recommended for rectangles.  Sure, it’s easy to fit a rectangular shaped pattern to a rectangle body, but does it flatter, as their term implies?
 I’m not knocking their recommendations entirely, though.  For example, I know that this dress would not work for me at all.  I don’t have the boobs to fill it out and it’s pretty tight:
The same goes with this dress.  I’ve made dresses with a waistline seam like this one before and it just doesn’t work at all:
I know that there will be some that are reading this thinking that I shouldn’t be complaining about finding patterns to sew that will fit me and look fine.  Everyone has some type of fitting problem when it comes to sewing, though, and my problems are that I can’t fill out most dresses and blouses since I have a high, small bust, I have narrow shoulders, no waist, and my hips are slightly larger than my chest so I need to grade out my patterns.  No one is perfect.
I guess what it comes down to is knowing what works for your body type and sewing what makes you happy – Figure Flattery is just a guideline.  My sewing is based on patterns that are suited for my sewing ability, will be easy to fit, and look stylish.    But I always have that little voice in the back of my head when I look at Vogue Patterns that says to me, “are you sure this will work for you?  There’s no rectangle icon for this pattern.”  
Does Figure Flattery work for you or do you ignore it?
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